AQA Power and Conflict Poetry Comparison, ‘Ozymandias’ and ‘London’.
If you’re preparing for your GCSE English Literature exam, mastering the AQA Power and Conflict Poetry Comparison is crucial. One of the most commonly compared pairs is ‘Ozymandias’ by Percy Bysshe Shelley and ‘London’ by William Blake—two poems with strong political messages, vivid imagery, and rich historical context.
In this guide, you’ll learn:
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How to approach the comparison question
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Key similarities and differences between Ozymandias and London
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Tips for analysing structure, language and context
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A sample comparison paragraph
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Common pitfalls to avoid
Whether you’re aiming for a Grade 5 or pushing towards a Grade 9, this article will help you feel confident in tackling any poetry comparison question.
Understanding the AQA Power and Conflict Cluster
The Power and Conflict cluster in the AQA anthology contains 15 poems. In the exam, you will be given one printed poem from the cluster and asked to compare it with another poem of your choice from the list. This question is worth 30 marks and contributes significantly to your overall English Literature grade.
Typical Exam Question:
Compare how the poets present power in ‘Ozymandias’ and one other poem from Power and Conflict.
You are not expected to write everything you know about both poems. Instead, focus on comparing key ideas such as power, loss, human arrogance, suffering, or control—and how these are conveyed through language, form, structure, and context.
How to Structure Your Poetry Comparison
Use this structure to keep your essay focused and analytical:
1. Introduction
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Briefly introduce both poems.
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Mention the key theme you’re exploring (e.g. power, control, corruption).
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Avoid listing techniques—keep it thematic.
2. Main Paragraphs (3-4 ideally)
Each paragraph should:
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Compare a theme or idea (e.g. the abuse of power)
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Use evidence from both poems
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Analyse language, structure, and form
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Include contextual information where relevant
Use comparative phrases like:
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Similarly / In contrast
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Whereas / Unlike
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Both poets suggest…
3. Conclusion
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Sum up your main comparisons.
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Reflect on the overall message or effect of each poem.
Key Comparison: Ozymandias vs London
Let’s explore how Ozymandias and London compare in terms of themes, language, structure, and context.
1. Theme: The Abuse and Fragility of Power
Ozymandias:
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Shelley presents power as temporary and illusory.
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The statue of the once-great king is now ruined and forgotten.
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The quote “Look on my Works, ye Mighty, and despair!” is ironic—there are no works left.
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Power is undermined by time and nature.
London:
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Blake shows institutional power (the Church, Monarchy) as oppressive and corrupt.
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He presents the city’s poor as victims of systemic control.
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“The mind-forg’d manacles I hear” suggests mental imprisonment caused by authority.
📝 Comparison Point:
Both poets are critical of power—Shelley critiques the arrogance of rulers, while Blake exposes the ongoing suffering caused by power structures.
2. Language and Imagery
Ozymandias:
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Uses ironic language to emphasise the futility of power.
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“Colossal wreck” juxtaposes grandeur with ruin.
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Imagery of decay: “Half sunk, a shattered visage”.
London:
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Powerful sensory language: “cry of every Man”, “infant’s cry of fear”.
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Repetition of “every” builds a sense of hopelessness.
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Blake’s imagery is emotive and disturbing: “black’ning Church”, “blood down Palace walls”.
📝 Comparison Point:
Shelley uses detached irony and visual imagery, while Blake uses emotive and auditory language to criticise power. Both show that power ultimately causes destruction or suffering.
3. Structure and Form
Ozymandias:
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A Petrarchan sonnet—a traditional love poem form, used ironically.
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The turn (volta) highlights a shift from power to ruin.
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Written in iambic pentameter, though not rigidly.
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The fragmented rhyme mirrors the broken statue.
London:
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Four stanzas of regular ABAB rhyme reflect the rigid, controlled environment.
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Repetition mimics the monotony of oppression.
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The poem reads like a lament or protest.
📝 Comparison Point:
Shelley’s poem is structurally fractured, echoing the decay of empire. Blake’s controlled form mirrors societal oppression. Both use structure to reinforce their themes.
4. Contextual Insight
Ozymandias:
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Written in 1818 during a time of political revolution and anti-authoritarianism.
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Inspired by the decay of ancient empires (Ramses II).
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Shelley was a Romantic poet, challenging establishment power and promoting individualism.
London:
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Written in 1794, just after the French Revolution.
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Blake believed in the power of the individual against institutions.
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Critical of industrialisation, the Church, and monarchy.
📝 Comparison Point:
Both poems reflect a Romantic distrust of authority, but while Ozymandias reflects on the impermanence of political power, London highlights the immediate human cost of oppression.
Sample Comparison Paragraph (Grade 8/9 Level)
In both ‘Ozymandias’ and ‘London’, the poets explore the corrupting nature of power, but approach it through different lenses. In ‘Ozymandias’, Shelley critiques the arrogance of rulers through the image of a ruined statue: “Look on my Works, ye Mighty, and despair!” The use of irony here reveals how Ozymandias’s grand claims have crumbled with time, suggesting the ephemeral nature of political power. In contrast, Blake’s ‘London’ presents power as a present, inescapable force. The metaphor “mind-forg’d manacles” conveys how the people are psychologically imprisoned by institutions like the Church and Monarchy. While Shelley reflects on how power is ultimately defeated by time, Blake focuses on power’s ongoing grip on society, showing the emotional and physical toll it takes. Both poets, however, use their work as a form of protest, warning readers of the dangers of unchecked authority.
Examiner Tips: What Gets Top Marks?
✅ Embed quotations naturally—avoid “quote dumping.”
✅ Analyse the effect of language (what does it suggest, imply, symbolise?).
✅ Compare throughout—don’t just write about one poem and then the other.
✅ Include context, but keep it relevant (not a history lesson).
✅ Use precise terminology—e.g. “volta”, “semantic field”, “iambic pentameter”.
✅ Stay focused on the question—link every point back to the theme.
Common Pitfalls to Avoid
❌ Writing about just one poem for too long.
❌ Over-explaining context at the expense of analysis.
❌ Listing techniques without exploring their effect.
❌ Not comparing—simply describing each poem in isolation.
Boost Your Grade: Revision Tips
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Make a comparison table of all 15 poems in the Power and Conflict cluster.
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Practise planning responses using past paper questions.
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Memorise 3-4 short, high-impact quotes per poem.
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Annotate your anthology and re-read your notes regularly.
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Watch explainer videos or listen to podcasts to reinforce themes.
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Try timed practice—45 minutes for a comparison is good training.
Other Strong Comparison Pairings
Aside from Ozymandias vs London, other powerful combinations include:
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My Last Duchess vs Ozymandias – obsession with control and legacy.
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The Prelude vs Storm on the Island – human vs nature.
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Remains vs War Photographer – trauma of war.
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Charge of the Light Brigade vs Bayonet Charge – patriotic vs realistic portrayals of battle.
Final Thoughts
The AQA Power and Conflict comparison question is your chance to show off deep thinking, analytical skills, and poetic understanding. Don’t just describe—interpret, compare, and explore the deeper meanings behind the poets’ choices.
Ozymandias and London are excellent poems to compare because they both challenge how power is used, remembered, and resisted—but in very different ways. Understanding those nuances will help you write an essay that stands out.
📌 Bonus: Quick Quote Bank
Poem | Quote | Technique | Theme |
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Ozymandias | “Look on my Works, ye Mighty, and despair!” | Irony | Hubris, power |
Ozymandias | “Nothing beside remains” | Juxtaposition | Fragility of power |
London | “Mind-forg’d manacles” | Metaphor | Psychological control |
London | “Marks of weakness, marks of woe” |
MODEL ANSWER:
Here is our example of a grade 9 model answer:
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In both Ozymandias by Percy Bysshe Shelley and London by William Blake, the poets explore the theme of power, but they present it in contrasting ways. Shelley reflects on the temporary nature of political power, while Blake critiques the oppressive systems that exert ongoing control over individuals. Both poets deliver a strong message about the abuse of power, though they do so through different perspectives, tones, and poetic techniques.
In Ozymandias, Shelley presents power as illusory and fragile. The poem describes a ruined statue in the desert, once built to celebrate a great king, Ozymandias. The inscription on the pedestal reads: “Look on my Works, ye Mighty, and despair!”—an example of dramatic irony. While the king commands fear and respect, Shelley undercuts this with the revelation that “Nothing beside remains.” The proud ruler’s works have crumbled, and the “colossal wreck” lies buried in the sands. This contrast between Ozymandias’s intent and the reality highlights the inevitability of decay, showing that no matter how powerful a ruler may seem, time and nature eventually erase all human achievements.
Shelley further emphasises this through the poem’s form. Although it is written as a sonnet—often associated with love or admiration—it is subverted to mock the king’s arrogance. The irregular rhyme scheme and fragmented iambic pentameter reflect the broken statue and, symbolically, the broken power of Ozymandias. Power here is shown as something fleeting, destroyed by time and nature’s unstoppable force.
In contrast, Blake’s London presents power as pervasive, corrupt, and enduring. While Shelley discusses a ruler whose power has faded, Blake focuses on systems of power that continue to oppress the people. The speaker walks through the streets of London and hears the “cry of every man” and the “infant’s cry of fear”, suggesting widespread suffering. The repetition of “every” reinforces the inescapability of this oppression. Blake uses the metaphor “mind-forg’d manacles” to suggest that people are trapped not just physically but psychologically by the structures of power—namely the government, Church, and monarchy.
Blake uses strong, emotive imagery to criticise these institutions. For example, he writes of the “black’ning Church” and “blood down Palace walls”. The juxtaposition of religious and royal imagery with corruption and violence implies that those in power are responsible for the suffering of the people. Unlike Shelley, who shows the fall of power, Blake’s poem is a warning about its current, enduring consequences. His message is more immediate and personal, grounded in the reality of urban suffering.
Structurally, London is tightly controlled, with a regular ABAB rhyme scheme across four quatrains. This rigid form mirrors the restrictive control of the authorities over the city’s inhabitants. The cyclical structure of the poem, ending as bleakly as it begins, reinforces the sense that there is no escape from this oppressive power—unlike in Ozymandias, where time has freed the world from the king’s grasp.
Contextually, both poets were Romantics who distrusted authority and believed in the power of the individual. Shelley was inspired by the political revolutions of his time and sought to highlight the hubris of rulers, especially those who claimed divine or eternal authority. His choice of a distant, historical figure allows him to reflect on the downfall of empires. Blake, on the other hand, was writing during the early stages of the Industrial Revolution, and London reflects his deep concern for the plight of ordinary people under oppressive societal structures. His poem is a call to action, urging the reader to recognise and resist these injustices.
In conclusion, both Ozymandias and London present power as something to be questioned and feared. However, Shelley portrays it as temporary and self-defeating, while Blake presents it as active and corrosive. Through their use of powerful imagery, structural techniques, and rich context, both poets deliver potent critiques of authority, forcing readers to consider the true nature of power—whether in a fallen empire or the streets of a living city.’
✅ What Makes This a Grade 9 Answer?
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Sustained comparison throughout the essay
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Embedded, well-chosen quotes
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Analysis of language, structure, and form
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Relevant and insightful contextual references
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A clear and developed argument in response to the question
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Use of technical terminology (e.g. volta, iambic pentameter, metaphor)